Saturday 6 September 2008

Time hasn't dulled edge of Dali's sliced eyeball

NEW YORK () - Eight decades have passed since Spanish surrealist creative person Salvador Dali and movie maker Luis Bunuel portrayed a man slicing a woman's eyeball with a razor -- yet viewers still wince, moan and cover their eyes.





The sequence opens the 16-minute film "Un chien andalou" (An Andalusian Dog), which is one several of films running in an infinite loop-the-loop at a new exposition called "Dali: Painting and Film" at The Museum of Modern Art (MoMa) in New York City.





Based on the reactions of a crowd of viewers on Sunday, the scene has not lost its ability to make audiences shudder.





The exhibit, which can be see at MoMa through and through September 15, is a fascinating collection that brings together some of Dali's best-known industrial plant, usually unconnected across museums and individual collections close to the world, under a single roof.





His nightmarish images still appear fresh in the 21st century -- melting pin clover, swarms of ants creep out of an centre socket, bicyclists with baguettes on their heads, a woman whose belly is transformed into a bleeding bouquet of roses.





What is unique close to the exhibition is its emphasis on the key role that the new medium of the motion picture played in the aesthetic vision of a young Dali, born in 1904.





"Dali homed in on cinema's on the face of it contradictory ability to combine the real and the surreal, the actual and the complex quantity, the objective and the imaginative, the prosaic and the poetic," said MoMa drawings curator Jodi Hauptman.





"Whether still or moving, painted or shot, Dali's works are meant to wholly intoxicate their viewers, offering an experience provoked by an image just played out in the mind."�






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Wednesday 27 August 2008

Therapeutic Target ID'd For Deadly Childhood Muscle Cancer

�Curbing the activity of a pith called "platelet-derived growth factor receptor A" dramatically reduced aggressiveness of an often untreatable childhood muscle cancer in mice and cells, a young study from The University of Texas Health Science Center at San Antonio and partner institutions shows.


Research sites included the UT Health Science Center's Greehey Children's Cancer Research Institute (Greehey CCRI) and the university's departments of Cellular and Structural Biology, Pediatrics, Medicine, and Epidemiology and Biostatistics. National collaborators ar from the University of Virginia, Ohio State University, the Columbus Children's Research Institute, and the Taussig Cancer Center and Lerner Research Institute at the Cleveland Clinic.


The work is reported in the to the highest degree recent online advance take of the journal Oncogene (http://www.nature.com/onc/journal/vaop/ncurrent/abs/onc2008255a.html).

Difficult-to-treat subtype


Childhood muscle cancers, also called rhabdomyosarcomas, ar the most common diffuse tissue sarcomas of puerility. The alveolar subtype is particularly difficult to regale because at diagnosis more than half of the children have lymph node involvement or distant metastasis (spread), the authors wrote.


"The way this disease grows and spreads has perplexed clinicians and researchers for nearly 3 decades, during which clip the dreary outcome for metastatic alveolar rhabdomyosarcoma has remained essentially unchanged despite improvements in surgical technique, radiation delivery and chemotherapy," said coauthor Charles Keller, M.D., help professor of Cellular and Structural Biology at the Greehey CCRI.


The cure rate for the metastatic form is estimated to be 20 pct or let down. Dr. Keller said the findings offer a promising avenue for improving that outcome. "A therapeutic scheme for children with musculus cancer power be developed that would target this growth receptor and perhaps similar ones at the same fourth dimension," he aforesaid. "The benefit to the patient is that such treatments ar clinically available today for adult cancer patients wHO have other diseases. Importantly, too, the way these targeted therapies work is less toxic than chemotherapy."

Authentic model


The researchers studied genetically engineered mice with tumors that develop the mutations, and haunt metastases, inherent to alveolar rhabdomyosarcomas. Dr. Keller developed this specialized mouse neoplasm model spell training in the science lab of 2007 Nobel Laureate Mario Capecchi, Ph.D., at the University of Utah.


In the current study, assays performed in the Keller laboratory by postdoctoral trainee Eri Taniguchi, Ph.D., showed that platelet-derived growth factor receptor A, and deuce proteins that mediate its effects, were highly activated in both the elementary and metastatic tumors.


Using trey different methods to dampen the platelet-derived growth factor receptor, the scientists celebrated significant simplification of neoplasm cell outgrowth both in the mice and in cell cultures.


"We believe this clearly establishes platelet-derived maturation factor sensory receptor A as a voltage future therapeutic target in alveolar rhabdomyosarcoma," Dr. Keller said.

NCI ulysses S. Grant support


This work is supported by a five year, $1.5 million duncan Grant recently awarded by the National Cancer Institute (NCI) to the Keller testing ground, and it is likewise the base for the Greehey CCRI's forthcoming rank in the NCI's Pediatric Preclinical Testing Program. Dr. Keller volition lead the Greehey CCRI Pediatric Preclinical Testing Initiative.


One tempering gene in the study is this determination: while two-thirds of the mice showed a response, one-third developed resistance to the therapy after two weeks. This mimics opposition rates seen with adult cancers treated with a receptor inhibitor. Ongoing studies at the Greehey CCRI now direct to watch how resistance can be overcome. "Moving our results to the clinic will require close attention and further study of how tumors become resistant to this drug," Dr. Keller said.


Co-authors from the UT Health Science Center are the trail author, Dr. Taniguchi; Koichi Nishijo, M.D., Ph.D., and Amanda T. McCleish, all at the Greehey CCRI; Joel E. Michalek, Ph.D., departments of Epidemiology and Biostatistics and Pediatrics; Marcia H. Grayson and Anthony J. Infante, M.D., Ph.D., Pediatrics; and Hanna E. Abboud, M.D., the Jay Stein Professor in Medicine/Nephrology.


Dr. Keller and other staff at the Greehey CCRI are members of the Cancer Therapy & Research Center at the UT Health Science Center.

About the UT Health Science Center San Antonio


The University of Texas Health Science Center at San Antonio is the starring research institution in South Texas and one of the major health sciences universities in the universe. With an operating budget of $576 million, the Health Science Center is the tribal chief catalyst for the $15.3 one thousand million biosciences and health guardianship sector in San Antonio's economy. The Health Science Center has had an estimated $35 billion shock on the region since inception and has expanded to sextet campuses in San Antonio, Laredo, Harlingen and Edinburg. More than 23,000 graduates (physicians, dentists, nurses, scientists and allied health professionals) serve in their fields, including many in Texas. Health Science Center faculty ar international leadership in crab, cardiovascular disease, diabetes, ripening, stroke prevention, kidney disease, orthopaedics, inquiry imaging, graft surgery, psychological medicine and clinical neurosciences, hurting management, genetic science, nursing, allied health, dental medicine and many other fields. For more information, inspect http://www.uthscsa.edu.


University of Texas Health Science Center at San Antonio

7703 Floyd Curl Dr.

San Antonio, TX 78229-3900

United States
http://www.uthscsa.edu



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Friday 8 August 2008

Jessica Simpson sing about 'real' abuse

Jessica Simpson has made an honest confession in her new country music debut 'Do You Know?'. In a track from the record album Remember That, in which she claims that she talks from an real experience when she says "With his hands or with his words/you don River"t deserve it". The song is about pervert, it seems from the lyrics. The singer most let the cat verboten of the bag when she was asked whether she had a first hand intervention of blackguard. She said that the experience was not a joyous which is why she would not like to recall it merely she would suggest that anybody world Health Organization might be facing shout should run far aside from it 'along with their heart'.


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Tuesday 1 July 2008

Yngwie J. Malmsteen's Rising F

Yngwie J. Malmsteen's Rising F   
Artist: Yngwie J. Malmsteen's Rising F

   Genre(s): 
Metal: Heavy
   



Discography:


War To End All Wars   
 War To End All Wars

   Year: 2000   
Tracks: 14


Alchemy   
 Alchemy

   Year: 1999   
Tracks: 13


Odyssey   
 Odyssey

   Year: 1988   
Tracks: 12




 





Hank Mobley

Wednesday 18 June 2008

Vishudha Kali and Velehentor

Vishudha Kali and Velehentor   
Artist: Vishudha Kali and Velehentor

   Genre(s): 
Industrial
   



Discography:


Myths about Srontgorrth   
 Myths about Srontgorrth

   Year: 2003   
Tracks: 10




 






Monday 9 June 2008

Usher takes 'Stand' at top of Billboard 200

'Sex and the City' soundtrack kicks up heels at No. 2





NEW YORK -- Four years after his "Confessions" rocked the charts, Usher returns to the Billboard 200 at No. 1 with "Here I Stand." With 433,000 U.S. copies sold, according to Nielsen SoundScan, the LaFace/Zomba album is the second biggest debut this year behind the 463,000 start of Mariah Carey's "E=MC2."
"Here I Stand" was led by the single "Love in This Club" featuring Young Jeezy, which was No. 1 for three weeks on the Billboard Hot 100. Usher's "Confessions" started at the penthouse in 2004 with 1,096,000 units and spent nine weeks on top. It went on to be the year's best-seller.
Coming in at No. 2 is the New Line soundtrack to "Sex and the City." The set -- which features tracks from artists as diverse as the Weepies, Jennifer Hudson, Run-D.M.C. and Nina Simone -- moved 66,000 copies. It's the highest debut for a multi-artist theatrical film soundtrack since "Get Rich or Die Tryin' " also started at No. 2 in November 2005.
3 Doors Down's Universal Republic self-titled set falls from No. 1 to No. 3 with 63,000, a 59% sales decrease. Bun-B's Rap-A-Lot/Asylum set "II Trill" is down 2-4 with 40,000 (down 59%), Leona Lewis' Syco/J album "Spirit" climbs from sixth to fifth with 39,000 (23% lower) and Reprise's retrospective Frank Sinatra collection "Nothing But the Best" slips from No. 4 to No. 6 with 37,000 (a 32% drop). Duffy's "Rockferry" (Mercury) endures a 19% sales decrease, moving 36,000 and ascending from No. 8 to No. 7.
Carey's chart-topping Island Def Jam album "E=MC2" continues its decline from No. 7 to No. 8 with a 20% sales decrease to 36,000. Al Green, who is also on the "Sex and the City" soundtrack, starts at No. 9 with "Lay It Down," selling 34,000. The Blue Note effort is Green's highest debut ever and his highest charting album since "I'm Still in Love with You" reached No. 4 in 1972.
Death Cab for Cutie's "Narrow Stairs" (Atlantic) rounds out the top tier, falling from No. 5 to No. 10 with 33,000 (a 36% drop).
Only two other efforts bow inside the top 50 this week. Cyndi Lauper's "Bring Ya to the Brink" (Epic) debuts at No. 41 with 12,000. It's the singer's first U.S. pop album since 1996's "Sisters of Avalon." Fergie's "The Dutchess: The Deluxe E.P." -- which contains the four tracks tacked on to the deluxe reissue of that album -- hops on board at No. 46 with 11,000. Interscope's "The Dutchess" reissue, released last week, causes the original album to bounce back up from No. 104 to No. 28.
Album sales this week are up 0.44% from last week's sum with 7.24 million units and down 13% from the same week last year.

Keith Caulfield contributed to this report.

Monday 2 June 2008

The Verve

The Verve   
Artist: The Verve

   Genre(s): 
Rock: Pop-Rock
   



Discography:


This Is Music: Singles 92-98   
 This Is Music: Singles 92-98

   Year: 2004   
Tracks: 14


Northern Soul   
 Northern Soul

   Year: 2003   
Tracks: 12


Urban Hymns   
 Urban Hymns

   Year:    
Tracks: 13


No Come Down (B-Sides and Outtakes)   
 No Come Down (B-Sides and Outtakes)

   Year:    
Tracks: 9